GIVE TO MESA

Exhibits & Events

Featured Exhibit and Events

 

Student Art ExhibitionReimagining La Linea

Exhibit on view November 10 - Decemeber 16, 2025
Reception: Wednesday, November 12, 4 - 7 PM, Art Gallery, FA 103
Free Parking in Lot # 1 STAFF spaces ONLY. Event Night ONLY.
FREE AND OPEN TO THE PUBLIC.

Gallery Hours: 12 – 5 pm, M-Th or by appointment. Closed Fridays, Weekends & Holidays, (Closed, Tuesday, November 11 for Vetrans Day and Thanksgiving Break, November 24 - 28, 2025)

Participating artists: Berenice Badillo with XoQUE, Eddy Berducido, Ashley Caro, Gabriela Ponce Curlango, Scott Gengelbach, Junko Glawe, Steve Harlow, Yomer Montejo Harrys, Ita, Kathleen Kane-Murrell, Jesus Cortez Leal, Lori Lipsman, Mônica Lóss, Evie Maher, Francisco Mendoza, Teresa Mill, Kathy Nida, Philip Brun Del Re, Pedro Rios, Josie Rodriguez, Katie Ruiz, Elizabeth Salaam, Gail Schneider, lan Seruelo, Rosa Elena Sherlinee, Dylan Shubin, Jenn Steffey, Anna Stump, Robert Turner, Isa Ybarra, San Diego Unified VAPA.

Responding to issues affecting our region, our Fall 2025 Museum Studies class has juried, curated, and installed Reimagining La Linea, an exhibition about migration which highlights the work of thirty artists and two collectives. Migration has been a vital force in the shaping our country, and the San Diego/Tijuana region clearly exemplifies this: a diverse community alive with layered cultures, languages, and traditions from all around the globe. The border wall or “La Linea,” intended as an impenetrable boundary, also reveals itself as porous, with the highest number of lawful daily crossings of any other US port of entry. The artwork bears witness to the human condition at the border as well as to the journeys and dreams carried across it. The exhibition challenged artists to imagine an alternative future where boundaries are fluid sites of connection rather than division. The exhibit transforms the gallery into a space of empathy and imagination, where borders that divide us become bridges that connect us. Join us for the reception on Wednesday, November 12, 4 – 7 pm. Artists will be present and there will be music by DJ Will Gallaspy, aka as The Great Gallaspy. 

Working with found objects and mixed media Pedro Rios and Katie Ruiz expose the human realities of migration, grief, and resistance. Ruiz volunteered to bring food, water and other necessities to refugees staying in make-shift encampments along the border while waiting for their immigration hearings. In Frontera Ofrenda (2025) she incorporated clothing, passports and other personal items found at the site into a large altar piece that serves both as remembrance and as prayer. Activist and photographer Rios conveys the danger of scaling the fence in A Rendering of Border Wall Falls (2025). Pictures of emergency vehicles whose warning lights illuminate dramatic scenes of night rescues are contained in a frame assembled from a found rustic ladder.

Standing as a barrier in the gallery, Muros Distintos, Opresion Conectada (2025) by Tijuana based artist Francisco Mendoza is a sculpture which examines how the militarization of borders with increasing surveillance violently separate communities worldwide. Meanwhile the interactive piece Crossing the Red Line (2025) by Philip Brun Del Re invites visitors to step over a border drawn on the ground using chalk powder. As the line is erased and the chalk is distributed across the gallery floor, it reminds us of the fact that migration is an unstoppable process happening everywhere. In

Gail Schneider’s Migrant Monarchs (2020), clay and metal butterflies evoke both the beauty and precarity of migration, drawing parallels between the journeys of monarchs and the movement of people seeking refuge and renewal. The butterfly wings are constructed out of No-Trespassing signs, visually demonstrating the conflicting themes that surround traveling across borders. Their effortless flight becomes both a metaphor and a challenge, reminding us of the natural right to movement that all beings share, even as humans struggle to claim it. Stigma, aggression, and violence affects human migrants, yet wildlife is unencumbered by these rules. Nature’s resistance and resilience in face of a manmade barriers is delicately rendered in botanical drawings of native flora overlaid onto maps by Jen Steffey.

Some of the artworks call out the injustices and human cost of immigration policies. Teresa Mill’s series Life Detained shows the painful reality for children and families who cross the border in soft, somber portraits of detainees. It is a truly gut-wrenching piece despite its gentleness. There are many more compelling artworks and stories in this exhibit. Reimagining La Linea invites viewers to unite; with themselves, with their culture, with their stories, and with others. It encourages diversity and doesn’t shy away from the fact that the U.S is a rich, cultural collage unlike anywhere else in the world. It offers a sanctuary to those who wish to connect. This exhibition was developed by the San Diego Mesa College Museum Studies under the guidance of Professor Alessandra Moctezuma and Gallery Coordinator Jenny Armer. (Students Valeria Basurto, Kimberly Forrest, Jacquie McCourt among others, contributed to this text.)

Future Exhibits

 

Past Exhibits

Unless otherwise noted, all exhibits are curated by Alessandra Moctezuma, Gallery Director and Museum Studies Professor. Available details are listed on this page or via the Mesa College Art Gallery Facebook Events page.

The Mesa College Art Gallery is an educational forum to present the work of professional artists in a range of media and dealing with diverse issues. During the academic year, four exhibits feature art by emerging and established contemporary artists. 

Learn More About the Mesa College Art Gallery

©